Festival Production Management Training is a new format of The Festival Academy. It focuses especially on production management in terms of realising and implementing the vision of the artistic director. The training programme looks at the practical side of this process, with special attention given to working with artists. Participants meet and exchange with experienced production managers and artists, including set designers, light designers, conductors, choir leaders etc. The training is set up as a long-term programme which explores all phases of producing an artistic work: a programme with 3 modules spread over a period of one or more year(s).

• Module I: a 4-day workshop with practical study visits and focus on the exchange of experiences
• Module II: a practical, hands-on placement at a festival
• Module III: a 3-day concluding session

The programme has been set up to allow flexibility in attending the different modules. Selected participants who take part in Module I can attend Module II or III of Edition II or of future editions. Some 25 young production managers will be selected to take part. 

The career development does not stop with Module III of their cohort. All participants become part of the Alumni Network. After eleven Ateliers and two Festival Production Management Training, the network counts 450 members from 67 countries.

Defining a good production manager is the first issue addressed during the training. The job description varies widely between companies and between countries. What we know for sure is that a production manager is responsible for the organisational and technical process of realising a production or a festival. S/he is the link between the artistic programme and the practical/technical realisation of it as well as the supervision of this process. A production manager works closely with the artistic programmer, the artists, responsible staff of the festival, the venue, and the production/technical team, as well as with other employees/collaborators to ensure the smooth running of the festival.

A qualified production manager needs to combine many qualities and so called hard competencies, such as financial, technical, HRM and organisational skills (managing budgets, technical riders, travels, working plans, management of assistants and personnel).

But he or she also needs competencies very much related to the artistic vision of the festival. It is vital for the production manager to know how to deal with artists, to build and maintain a good relationship with them, to understand the artist’s way of working, to put himself in the shoes of the artist and to develop creative solutions – all this to ensure the artistic vision is realised.

Efficient artist management – including organising travels and accommodation, welcoming, guiding and working with the artists – is essential to get the product, which is to say, the artistic creation, on stage for an audience,